
The 60D, Canon's new midrange DSLR, is a whole lot like the Rebel T2i inside—still fantastic.
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The Panasonic GH1 can do some great video for its size, thanks to that fancy micro four-thirds optical setup, but it's been held back the low bitrates it uses when
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Gadgets haven’t been doing a good job of staying secret in Vietnam lately. Just a couple days ago an iPhone 4G was found, filmed, and completely disassembled there.
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A $5000 camera is not within reach for most people. So this Nikon D3s review is a bit different—it's a peek at the near future of photography where shooting in any lighting condition is possible. It's really exciting.
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These times are strange. Five years ago if you walked onto the set of a movie, TV show, or music video -- before you got kicked out by a strung out production assistant -- you'd have probably seen a bustling group of workers huddled around a giant camera changing out huge spools with Kodak or Fujifilm logos on them.